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Midsummer’s Night was given a whole play by Shakespeare, who depicted it
as a time when shapes change and sensual love is at its zenith. No
wonder. It is celebrated under a full moon in combination with the
longest period of sunlight in the year. June 21 is the most powerful day
of the year, a time when green shows its many shades and tints and the
soil smells of its barely restrained potency. John Barleycorn is at his
prime:
The sultry
suns of Summer came,
And he
grew thick and strong,
His head
weel arm'd wi' pointed spears,
That no
one should him wrong.
But
there’s trouble on the way, with the coming of Lammastide, or “loaf
mass” when grains are sacrificed to the harvester. Alas for John
Barleycorn,
The sober
Autumn enter'd mild,
When he
grew wan and pale;
His bending
joints and drooping head
Show'd he
began to fail.
Late summer arrives
with a sense of feverish haste to have fun fast before the year shuts
off. Our society has thus linked Lammas with Labor Day, another time
when the workers don’t work, everyone parties, and good times are stored
up against the hard times on the way. For farmers and gardeners, it’s a
dry season when the process of clearing begins, in a phase aptly known
as the “disseminating moon.” It’s the Celtic “claim time” when workers
were sought for the fall harvest season and others claimed their wages
for the summer’s labor.
Emerson
College put on a lengthy celebration in late September, combining the
folk holiday of the Autumnal Equinox with the holy day of Michaelmas.
Rudolf Steiner, the progenitor of bio-dynamic farming, set great store
by the commemoration of Michaelmas, which had fallen by the wayside in
most of Europe by the early 20th Century. Steiner saw
profound meaning in the story of Michael the Archangel who fought the
legions of Satan. This battle between light and darkness is symbolically
played out as the year dies and it seems that the sun will never return.
Plants are dying and melting back into the earth. The moon is in its
ominous “last phase.”
In England
it was easy to imagine primitive people in their Anglo-Saxon caves and
stick houses huddling together in fear and dread as the cold crept in.
This sense of foreboding was offset by Michaelmas, highlighted by hearty
food, an emphasis on abundant grains, and, at Emerson, mysterious dramas
presented in Middle English (I particularly remember the word “whales”
being pronounced “wallace”).
In the
United States we have another name for the Autumnal Equinox: Harvest
Home. In Christian churches on Harvest Home Sunday, the stirring old
hymn rings out:
Come ye thankful people, come...Raise the song of harvest
home!
All is safely gathered in, Ere the winter storms begin;
God, our Maker, doth provide. For our wants to be supplied:
Come to God's own temple, come, Raise the song of harvest home.
We ourselves are God's own field, Fruit unto His praise
to yield:
Wheat and tares together sown, Unto joy or sorrow grown;
First the blade, and then the ear, Then the full corn shall appear;
Lord of harvest! Grant that we. Wholesome grain and pure may be.
The
Autumnal Equinox doesn’t precisely coincide with Michaelmas but combining
the two provides an excuse for a walloping long party. Similarly, the
pagan festival of Samhain links up roughly with the church’s
appropriated holy day, All Saints Eve which gave way to the more
enjoyable and more profane Halloween, October 31, and both blend nicely
into the English Bonfire Night (Guy Fawkes Day), on November 1.
It is on
Samhain, or Summer’s End, that the dead walk the earth. Pagans (really,
just farmers and farm workers with a strong link to the soil and
seasons) carried gourds elaborately carved with faces designed to scare
away the demons of the night. They also left offerings of the grain
harvest to placate evil spirits that roamed the darkness. Does any of
that sound familiar? At the time of Samhain, the productive year falls
away, and farmers batten down the doors of the granaries. And to
preserve balance, the Celts celebrated Samhain as the beginning of the
year rather than seeing it, as we tend to do, as nature’s last fiery
gasp before the black night of winter.
Samhain
coincides with the “balsamic” moon, signifying healing and emerging. The
seeds of the dead harvest are secretly flying in the fire lit night. It’s
chilly now, offering another excuse for a few more rounds of
what’s-your-choice at the pub and a few more rounds of song. It was on
Samhain that John Barleycorn was pronounced dead. Notice that in this
song as in the hymn of Harvest Home, fruit and grain are anthropo-morphed:
we are the fruits that God will use for his purpose; John Barleycorn is
humanized as both the victim and the savior of the thirsty farmhand:
They
took a plough and plough'd him down,
Put clods
upon his head,
And they
have
sworn a solemn oath
John
Barleycorn was dead.
The year
edges into increasing darkness until December and Yuletide, or the
Winter Solstice, when the longest night came to be associated with the
brightest light, the birth of Jesus. We rational moderns know that Jesus
couldn’t have been born in the cold of the year because no shepherd
would have been caught out in that weather. But the church saw fit to
align its favorite celebration with the pagan rites of burning the Yule
log and rejoicing in the beginning of the end of the winter siege. The
New Moon arrives in its pale splendor, promising regeneration. Sometime
in the eighteenth century in Europe the whole thing snowballed into what
we now call Christmas, (note the “mas” – it means “feast”). To a farmer
in the Southern Hemisphere, Christmas comes in the season of longest
light and least rain, so there are few agrarian societies that still
fear the Christmas threat of hunger, debilitation and death. However, in
Iran, a place from which we sense another sort of threat, the solstice
of winter is still commemorated as Yalda, when fires are lit and tended
all night long. At the darkest time of the year, when the sun deserts
us, we bring it to ourselves.
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